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October 28, 2011

Sequence 77 by Darin M. Preston

Lucid Style is excited to announce our newest author and publication, available soon! That means our prerelease contest, where you can enter to win a free, autographed copy of the book, is beginning now!

New contemporary fiction/action thriller: Sequence 77

The past, present, and future collide in the hot summer of July 1996 as one man’s desire to prevent repetition of history’s mistakes pushes him to the very edge of reason. With the knowledge in his possession, he finally has the power to fulfill his vision and ‘save’ the human race…
…but should he?
Or would it better serve humanity to bury that secret forever; to prevent that man from applying his knowledge—and his judgment—and changing the world as we know it?

Sequence 77 dares to take a hard look at the illusions that are part of our reality, and shatters them to bring the truth into focus. The ideas expressed in Sequence 77 deserve to be heard, and they demand a reaction today.

Let us introduce you to Darin M. Preston, author of Sequence 77: Darin is a school psychologist in the Fond du Lac, Wisconsin school district. As his school district moves to keep pace with changing times and demographics, Darin sees his position as one to provide support to all within the system who are ready to move forward and embrace the future of diversity. In his first fiction release, Darin has accomplished the work of a seasoned storyteller. Darin’s writing harmoniously weaves together three main features, resulting in a stimulating and memorable experience for the reader:

characters—they are believable and realistic, both in their strengths and in their flaws;
story—a fresh presentation of events, driven by the characters who are experiencing it;
connectivity (theme)—elements that serve to ground the reader and pull us into the book, linking our lives to the settings and experiences within the story.

Sequence 77 refused to stay dormant in the mind of the author. Characters, scenes, and story forced their way from Darin’s imagination to written word, as if the real world was where they belonged. Darin will be satisfied upon knowing that even a few readers might stop and think about the current state of the world we all share. Have discussions and positive action stalled out, or is society ready to once again begin to move ahead, together? At the very least, a frank, courageous discussion is overdue.

Enter to win a copy of Sequence 77: In celebration of this new release, Lucid Style is giving away a free copy of the book in our prerelease contest! It’s easy to enter our “Caption Contest” and show us a glimpse of your creative mind—you’ll be asked for your name and email, and then you can “put yourself in the mind of the character”*!

For more on this exciting new release, visit the following Web sites:

Sequence 77 homepage

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*as quoted by fellow Lucid Style author Tim Ahrens.

 

 

January 24, 2011

Author Accent: Tim Ahrens

So, who is Tim Ahrens, anyway? A brief biography of Tim, and the inspirations that led him toward writing are revealed herein...

When Tim Ahrens tells a story, he writes in a way that allows the reader to intimately experience the characters' lives and their adventures in the story. For Tim, this is the most enjoyable aspect of writing. That and, of course, his readers' enjoyment of his creations.

Tim Ahrens grew up in Madison, Wisconsin. He has always enjoyed good stories, comics, books, games, and movies. Often, he enjoyed these diversions as a way of escaping the difficulties in his own life. In his early years he would watch B sword and sorcery movies and found that his imagination was really inspired by them. Tim remembers one occasion as a young teenager having just seen a movie with two very good friends, and after the movie critiquing the film together. Tim had explained to his friends how he would have changed details of the film and corrected the plot in some areas to make it a better movie. One of the friends then invited Tim to write a short story with him. Starting a pastime he would continue to work on and develop for more than thirty years, and one that would also foster his creativity, Tim agreed.

Tim's use of characters is the momentum behind his stories. Because his stories rely on solid characters, it is crucial for Tim to be able to think and live in his characters' worlds as he writes about them, letting himself get into the mood of the story and the emotions of the characters. Writing within the realms of fantasy and horror allows Tim both to accomplish this without being forced to strictly adhere to scientific rules, as well as to liberally apply his vivid imagination.

Tim is a huge fan of older style films from the 50s through the 70s. Many of the lower-budget films from those decades did not have a lot of special effects and instead relied on the story to pull the audience along. Tim has seen several of these movies that took a series of short films and made them into one cohesive movie. Tim has always wanted to apply this technique to his own works, and when he decided to write The Salvation of Tanlegalle he was immediately drawn to that format.

One author whose works have had a lasting effect on Tim's writings is Piers Anthony, bestselling author and renowned creator of the Xanth fantasy series (which has seen, and continues to see, enormous success throughout the world). Piers Anthony is another writer who has the gift for launching readers into new and provocative worlds, and populating those worlds with memorable and entertaining characters. The characters imagined by Piers and the situations and conflicts they experience leave his readers with a lasting impression; even the occasional presentation of somewhat difficult subject matter is done with tact, honesty, and straightforwardness.

Tim has read and admired the creations of Piers Anthony. Having Piers's words as the foreword for Tim's first published work is an astounding accomplishment that Tim feels reflects positively on his book, and on his career as a writer. “Having grown up reading the works of Piers Anthony,” says Tim, “I can only say that I am overwhelmed that someone of his stature would consider writing a foreword for me. I can only hope to live up to his trust and confidence in my work.”

The short stories contained within Tim's debut are what inspire its central theme. The variety of short stories presented in Tanlegalle will give Tim's readers maximum exposure to the myriad voices he creates and the numerous worlds that those characters inhabit. At the same time, readers have experienced a complete story by the time they arrive at the end of the book. Upon publishing this work, Tim is looking forward to hearing feedback from his readers, to learn which stories of the book will have left the largest impression, and the nature of that reaction.

On the precipice of releasing his first published book, Tim can say that many people have helped him arrive at this position in his writing career. Tim wishes to thank, chief and foremost, his best friend in the entire world, Timothy Atkinson. “If it were not for him,” Tim says, “I would not be writing at all. It was he who first motivated me to put pen to paper.” Another helpful friend along the way was Tim's first cowriter, Jason Yapp, who, Tim says, “got me interested in writing something longer than a paragraph.”

Tim continues, “There are a lot of people, and to those I will always be grateful; some of whom are Neil Riebe, Bernie Schloemmer, and Eric and Jean Turman. And of course my parents, who never lost faith in me.”

For more on Tim, visit the following Web sites:

Tim Ahrens homepage

Golden Visions Magazine of Sci Fi and Fantasy

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October 28, 2010

Faster Value

There is no time like the present—to begin a discussion about time…

The question of time has been much on my mind. Judging from the usual mass media sources, time is an issue for the vast majority of us. As consumers we are looking for products and services that save us time. Where did the time go?

Our time is up—we have none left, at least, none left for ourselves. As a person who must juggle family and business, and all the daily chaos and crises that those entail, it is easy to say that I seem to always be running out of it. While I once felt I had time on my hands, I now tend to feel that I am always arriving at the last minute. Yet doesn’t the question of time always boil down to ourselves and how we choose to prioritize? Just how do we determine what comes first—deadline or lost tooth? (I mean really lost tooth, because the cat ate it before the Tooth Fairy arrived.) Once that’s chosen, how much time do we allot for it? Or, can we handle multiple tasks via multitasking? (Though I suspect multitasking is a niced-up word for doing many different things at once but none of them with adequate focus; modernity’s take on, though a far cry from, the idea of the “renaissance man.”) Is there even enough time to do everything, and to expect to be able to do everything well?

James Gleick considers the assertion of time in his 1999 book entitled Faster: The Acceleration of Just About Everything. He explains that as technology grants us the capability of doing anything faster, there remains an obligation that we must do things as fast as possible. If a task can be completed quickly, why take longer? So society seems to be speeding, racing forward in a frenzy of fast-paced fervor. Our lives are afloat on a rapid river of perceived advancement, where we must constantly navigate new technological gadgets and applications. They appear out of inconspicuousness, like the rocks and hydraulics on a whitewater course. We are pressured, for the sake of saving time, to put these new conveniences into, and add efficiency to, the tumult of our world in this information and electronic age.

With the acceleration of life as discussed by Gleick, contemplation, with its required dose of time, is lost—it is cast away, along with a dimension of self. Contemplation is a reasoning process for thought, research, association and comparison, and evaluation. This process is key to the development of self. Like a coral reef builds new lives on old skeletal structures, our self is created out of experiences of contemplation. How we interpret these experiences is an identification of who we are as individuals. To enact the contemplation process without adequate time puts us in jeopardy of losing this very basic facet of self.

Viktor Frankl was forced to endure a heavy dose of time in a World War II Nazi concentration camp. In those countless hours of pain and horror—his past and future impudently stolen—there was nothing left but present time. Time he used for contemplation; out of which he discovered life’s true value. Frankl chronicled his experiences and his resultant Logotherapy methods in Man’s Search for Meaning, which he began writing while sustaining the torturous existence in the prisoner camp. His time, though horrendous, enabled him to contemplate life with an exceptional perspective. His book and therapy are thus his bequest to generations of people who live after, and metaphysically far from, the Third Reich.

Gleick and Frankl’s respective discussions of time reflect the dissimilarity among people’s perceptions of time. This may be a demonstration of how our perceptions shape our individual realities. Therefore it is perceived time that is epicenter of that elusive value of life. How we interpret and experience it in its most pure and perfect form, is paramount. It is each person’s personal obligation to redefine the purpose of every moment they experience—to contemplate, to discover, the true value of life.

Postscript

An extra minute or two to comfort a distraught child with a hug holds priceless value: a lifted spirit, brighter eyes, and that winning smile. (And the Tooth Fairy did come after receiving my child’s note about that darn cat!)

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Poetry

“The Rosy Hearth, the Lamplight’s Narrow Beam” from The Good Song by Paul Verlaine

The rosy hearth, the lamplight’s narrow beam,
The meditation that is rather dream,
With looks that lose themselves in cherished looks;
The hour of steaming tea and banished books;
The sweetness of the evening at an end,
The dear fatigue, and right to rest attained,
And worshipped expectation of the night, –
Oh, all these things, in unrelenting flight,
My dream pursues through all the vain delays,
Impatient of the weeks, mad at the days!

“Le foyer, la lueur étroite de la lampe” de La bonne chanson par Paul Verlaine

Le foyer, la lueur étroite de la lampe ;
La rêverie avec le doigt contre la tempe
Et les yeux se perdant parmi les yeux aimés ;
L’heure du thé fumant et des livres fermés ;
La douceur de sentir la fin de la soirée ;
La fatigue charmante et l’attente adorée ;
De l’ombre nuptiale et de la douce nuit,
Oh ! tout cela, mon rêve attendri le poursuit
Sans relâche, à travers toutes remises vaines,
Impatient mes mois, furieux des semaines !

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Biblio

Gleick, James. Faster: The Acceleration of Just About Everything. New York: Pantheon Books, 1999.

Frankl, Viktor E. Man’s Search for Meaning. New York: Pocket Books, 1984.

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February 9, 2010

Mars

Mars. The red planet, Earth's neighbor in the solar system.

Before the Roman Empire's expansion throughout Europe and the Mediterranean, Mars was a god of fertility and agriculture. In due course Mars became the Romans' god of war, symbol of power and potency. Power over the land leads to power over the people...

But what about a different view, in which people have power over themselves, and this is looked on to be of immense value? In our time Gandhi and Guevara, among countless others before and since, expressed their desire for such; it is indeed the heart of humanity's pursuit toward the ultimate civilization.

This is the most powerful theme within the Mars trilogy by visionary author Kim Stanley Robinson. Packed with scientific plausibilities, believable characters, and amazing events, the Mars trilogy takes humanity away from where we are stuck today behind invisible borderlines on Earth, and on to Mars, the future, and beyond. Mars presents scenarios that to the layperson seem absolutely achievable, provided that technology be allowed to rise beyond its current military and governmental confines. The author encourages his readers to consider the state of a world in which all individual peoples' true passions and talents drive the progress of their communities and civilization, as opposed to one driven by money belonging to the rich and powerful few. Imagine the freedom, in its purest sense, that would be attained.

Mars is roughly 35 million miles away. But how long will it take us to get to the Mars of Robinson's mind? I'm on my way...

Join me! Read the Mars trilogy by Kim Stanley Robinson, and let me know what you think...

Red Mars. New York: Bantam Books, 1993.

Green Mars. New York: Bantam Books, 1994.

Blue Mars. New York: Bantam Books, 1996.

 

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October 11, 2009

Mutability

Change is in the autumn air. It suffuses all of our senses. You can see it, hear it, smell it, taste it, and feel it. Yet while autumn provides a plethora of sensations to absorb, we can still allow ourselves to encompass each captivating spectacle in a way that is emotionally fulfilling and humanly rich.

The lush greens and bright citrus shades of summer transform into rusty reds and vivid oranges. The stifling heat of summer’s long days floats away on the last of its warm, humid breezes. It is replaced by brisk air and the crackle of dry grasses underfoot. Our mouths delight in the crisp crunch of an apple just picked from the orchard.

The new freshness in the air punctuates the aroma of ripened produce. The bounty of the growing season is harvested, producing even more scents and flavors that invite and entice. Fluffy bread and juicy pies baking in a warm oven, and simmering stews on the stovetop all play their role in warming our stomachs and our souls.

The evening arrives early, and we head inside to our heated homes. We look for physical warmth and find it in our snuggly flannel sheets and thick pajamas, fleecy sweatshirts, hats and mittens; and the emotional warmth of kinship that comes with the holidays.

Just as the trees go dormant and refrain from growth during this cold season, I allow my soul to enter an interior of warmth and tranquility. In order to be revitalized for the next season, I now take stock of my life, my treasures, my true thanksgiving. I can recognize these supports in place around me that, like a strong and durable trunk, serve to protect me through each season of life.

I look forward to the autumn and winter seasons, the holidays and the closeness with friends and family—that time when we make an extra effort to share our homes, meals, and our lives. After all, there is nothing like snuggling with your special someone under a most precious handmade quilt or afghan.

When I’m under that blanket of physical and emotional warmth, I feel my stress fall away like the leaves of the autumn trees. This winter, I will rest and regenerate my strength for the coming spring.

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Mutability by Percy Bysshe Shelley 

We are as clouds that veil the midnight moon;
     How restlessly they speed, and gleam, and quiver,
Streaking the darkness radiantly!―yet soon
     Night closes round, and they are lost for ever:

Or like forgotten lyres, whose dissonant strings
     Give various response to each varying blast,
To whose frail frame no second motion brings
     One mood or modulation like the last.

We rest.―A dream has power to poison sleep;
     We rise.―One wandering thought pollutes the day;
We feel, conceive or reason, laugh or weep;
     Embrace fond foe, or cast our cares away:

It is the same!―For, be it joy or sorrow,
     The path of its departure still is free:
Man's yesterday may ne'er be like his morrow;
     Nought may endure but Mutability.

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